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Excerpt of proto-proposal for graduate research (2010/11) Section I and Section II and Notes.

Bounded-Body / Bounded Art-Objects : The Inter-relational Dynamics of Performance-premised Engagements

6. Bibliography.

Artaud, Antonin. The Theatre and Its Double, translated by Mary Caroline Richards. New York: Grove Weidenfeld, 1958. Print.

Agamben, Georgio. Homo Sacer: Il potere soverano e la vita nuda (1995), translated by Daniel Heller- Roazen as Homo Sacer: Sovereign Power and Bare Life, 1998. Print.

Austen J.L. How To Do Things With Words. Cambridge, Massachusetts: Harvard University Press, 1975. Accessed Fall 2010. Concordia University Library. Web.

Baumann, Steven L. RN; PhD. “Recovering From Abuse: A Comparison of Three Paths.” Nursing Science Quarterly 20 (October 2007): 342-348. Accessed 2009. Concordia University Library. Web.

Bataille, Georges. Visions of Excess: Selected Writings 1927-1939, edited by Allan Stoekl, Carl R. Lovitt, and Donald M. Leslie, Jr., University of Minnesota Press, 1985. Web.

Butler, Judith. “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.” Performing Feminisms: Feminist Critical Theory and Theatre, edited by Sue Ellen Case. Baltimore: John Hopkins University Press, 1988. Concordia University Library. Web.

Brecht, Bertolt. Brecht on Theatre: 1918-1932, translated by John Willett, edited by Suhrkamp Verlag, Frankfurtam, Main, 1966. Print.

Brentano, Franz. Psychology from an Empirical Standpoint. New York: Humanities Press, 1973. Print.

Brook, Peter. The Empty Space. New York: Atheneum Publishers, 1968. Print.

Connolly, Roy, and Richard Ralley, “Brecht and the disembodied actor.“ Studies in Theatre and Performance, 28, no. 2 (2008): 91-110. Accessed January 2011. Concordia University Library.Web.

de Certeau, Michel. The Practice of Everyday Life. Los Angeles: University of California Press,
1984. Accessed Fall 2010. Concordia University Library. Web.

Deleuze, Gilles, and Felix Guattari. “November 28, 1947: How do you make yourself a body without organs?” A Thousand Plateaus. London: Continuum Books, 1987. Accessed February 2011. Web.

Dimaggio, Giancarlo (MD) and Antonio Semerari (MD) and Antonino Carcione et al. “Toward a Model of Self Pathology Underlying Personality Disorders:Narratives, Metacognition, Interpersonal Cycles and Decision-making Processes.”Journal of Personality Disorders 20, no. 6 (2006): 597– 617. Rome: The Guilford Press, 2006. Accessed 2009. Associazione di Psicologia Cognitiva (APC). Web.

Dimaggio, Giancarlo, and Nicolò, Giuseppe and Fiore, Donatella et al. “States of minds in narcissistic personality disorder: Three psychotherapies analyzed using the grid of problematic states.” Psychotherapy Research 18, no. 4 (2008): 466-480. Accessed 2009. Associazione di Psicologia Cognitiva (APC). Web.

Derrida, Jacques and A. Bass. “The Theatre of Cruelty and the Closure of Representation.” Writing and Difference, 232-250. Chicago, London and Henley: The University of Chicago Press, Routledge & Kegan Paul Ltd, 1978. Print.

Douglas, Mary. “External Boundaries.” Purity and danger : an analysis of concepts of pollution and taboo, New York: Praeger, 1966. Accessed Fall 2010. Concordia University Library. Web.

France, Peter. Public Theatre and Private Theatre in the Writings of Diderot. The Modern Language Review 64, no. 3 (July1969): 522-528. Accessed 16 August 2010. Web.

Gorner, Paul. “Heidegger, Phenomenology, and the Essence of Technology.” Ends and Means, 2 (1) (1997): 21-30. Concordia University Library. Web.

Heidegger, Martin. Being and Time. Trans. Joan Stambaugh, Albany: State University of New York Press, 1953. Accessed Summer 2010. Web.

Heidegger, Martin . The Basic Problems of Phenomenology: Introduction. Indiana University Press (1975): 1-23. Print.

Heidegger, Martin . “The Question Concerning Technology”. Concerning Technology and Other Essays, translated by William Lovitt, New York: Harper & Row (1977) : 3-35. Print.

Guertin, Carolyn. Quantum Feminist Mnemotechnics: the archival text, digital narrative, and the limits of memory, edited by Arthur Kroker. Digital Futures Series. Toronto: University of Toronto Press, 2003. Accessed January / March 2011. Web.

Jacobson, Kirsten. “Agoraphobia and Hypochondria as Disorders of Dwelling.” International Studies in Philosophy 36, no. 2 (2004): 31-44.

Johnston, Daniel. Overcoming the Metaphysics of Consciousness: Being / Artaud. Australasian Association for Drama, Theatre and Performance Studies. University of Sydney, 2006. Accessed Summer 2010. Concordia University Library. Web.

Levinas, Emmanuel and Committee of Public Safety. “Martin Heidegger and Ontology.” Diacritics, 26, 1 (1996): 11-32. Accessed Spring 2010. Web.

Phelan, Peggy. “ Chapter 7: The Ontology of Performance: Representation Without Reproduction.” Unmarked: The Politics of Performance. London: Routledge, 1993 / 1996. Print.

Sadler, John (MD). “Introduction to the Special Section: Philosophy And Personality Disorders.” Journal of Personality Disorders, The Guilford Press 20, no. 2 (2006): 113–115. Accessed 2009. Web.

Sheehan, Thomas. A Paradigm Shift in Heidegger Research. Stanford University. Continental Philosophy Review, XXXII, no. 2 (2001): 1-20. Accessed March 13 2011.

Schurmann, Reiner. “Neoplatonic Henology as an Overcoming of Metaphysics”. Research in Phenomenology, 13(1) (1983): 25-41. Web.

Schneider, Rebecca. The Explicit Body in Performance. London; New York: Routledge, 1997. Accessed Fall 2010. Concordia University Library. Web.

St. Clair, Michael (1996). Object Relations and Self-Psychology: An Introduction, Second Edition. Belmont: Brooks/Cole, 1996. Print.

Stevenson, John. The Fourth Wall and the Third Space. Centre for Playback Theatre, 1995. Accessed 12 August 2010. Web.

Taussig, Michael. The Magic of The State / The Nervous System. Routledge, 1997. Accessed Fall 2010. Web.

Thomson, Iain, “Heidegger’s Aesthetics.” The Stanford Encyclopedia of Philosophy, edited by Edward N. Zalta. Accessed Summer 2010 / Winter 2011. Web.

Thomson, I. “The Silence of the Limbs: Critiquing Culture from a Heideggerian Understanding of the Work of Art.” Enculturation 2, no. 1 (1998). Print.

Wink, Paul. “Two Faces of Narcissism.” Berkeley Journal of Personality and Social Psychology, Institute of Personality Assessment and Research University of California 61, no. 4 (1991): 590-597. Accessed 2009. Web.

Zarrilli, Phillip B. et al. Theatre Histories; An Introduction; Part 1, 1-137, New York: Routeledge, 2006. Print.

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