Artaud’s view of their work based on two films: Animal Crackers (1930) and; Monkey Business (1931). Previously translated and in print but this copy was posted online at Vertigo Magazine.
Discussion surrounding creative practices, aesthetic discourse, historical overviews.
The reposting of a short paper (by S. Kendell) referencing the analysis and traces of self / other in Artaud’s portraiture.
Andy Horwitz addresses a number of queries and conundrums that, I suspect, are familiar to all performing artists… If / when venturing into the visual art’s domain of performance theory.
Musings surrounding Berndnaut Smilde’s indoor clouds, Derrida’s delimitation, and Artaud’s call for theatrical immersion.
Derrida, Jacques and A. Bass. Writing and Difference. The University of Chicago Press, Chicago. Routledge & Kegan Paul Ltd, London and Henley. 1978.
Preliminary thoughts on developing performance from within a technologically responsive space. Tid bits are in anticipation of upcoming studio sessions.
Scribd: Cynthia Marshall’s The Shattering of the Self: Violence, Subjectivity, and Early Modern Texts. Baltimore: The Johns Hopkins University Press, 2002.
Schneider, Rebecca. “After us the savage goddess”. The Explicit Body in Performance. London; Routledge, New York: 1997.