Reblog : Anatomies in Action
The reposting of a short paper (by S. Kendell) referencing the analysis and traces of self / other in Artaud’s portraiture.
The reposting of a short paper (by S. Kendell) referencing the analysis and traces of self / other in Artaud’s portraiture.
Visual aid for explaining thesis project experiments. Will lend to one of three small scale studio trials / sketches. This imagining primarily explores the relationship between perception and inter-subjective narrative disruption / reconstruction.
Visual aid for explaining thesis project experiments. Will lend to one of three small scale studio trials / sketches. This imagining primarily explores real-time engagement disruption and subjective reconstitution.
Visual aid for explaining thesis project experiments. Will lend to one of three small scale studio trials / sketches. This imagining primarily explores the possibility of place-time temporal disruption and the subjective affects of visual re-tracings.
Andy Horwitz addresses a number of queries and conundrums that, I suspect, are familiar to all performing artists… If / when venturing into the visual art’s domain of performance theory.
A 1995 article from the Independent U.K., and a scholarly article from 1974, verifying promotion of American cultural values through strategic proliferation of artworks during the Cold War.
Derrida, Jacques and A. Bass. Writing and Difference. The University of Chicago Press, Chicago. Routledge & Kegan Paul Ltd, London and Henley. 1978.
A video clip from “The Artist Is Present” by Marina Abramović and an excerpt from an interview. A few links to related works: Marina and Ulay and a film by Pierre Coulibeuf.