Pelletier’s Cruelty
Snippets of video documentation, links to animated GIFs, and some notable reviews / reactions to the new media series titled “Parametric Expression” (2013).
Snippets of video documentation, links to animated GIFs, and some notable reviews / reactions to the new media series titled “Parametric Expression” (2013).
Visual aid for explaining thesis project experiments. Will lend to one of three small scale studio trials / sketches. This imagining primarily explores the relationship between perception and inter-subjective narrative disruption / reconstruction.
Visual aid for explaining thesis project experiments. Will lend to one of three small scale studio trials / sketches. This imagining primarily explores real-time engagement disruption and subjective reconstitution.
Visual aid for explaining thesis project experiments. Will lend to one of three small scale studio trials / sketches. This imagining primarily explores the possibility of place-time temporal disruption and the subjective affects of visual re-tracings.
More snippets; in keeping with last string of posts. Includes company background, an excerpted preview of “Kidnap” (1998), video documentation of the same project, and some related articles.
Excerpts from press release reviewing Marina Abramović’s “An Artist’s Life Manifesto” for MOCA’s 2011 fund-raising event. Includes related articles, photo documentation, and a video statement by the artist.
Musings surrounding Berndnaut Smilde’s indoor clouds, Derrida’s delimitation, and Artaud’s call for theatrical immersion.
Schneider, Rebecca. “After us the savage goddess”. The Explicit Body in Performance. London; Routledge, New York: 1997.